DUO OURO NEGRO Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/duo-ouro-negro/ Guerssen Records Thu, 17 Apr 2025 13:01:56 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png DUO OURO NEGRO Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/duo-ouro-negro/ 32 32 Dança do Robalinho (7″) https://wpguerssen-test.odoo.rgbconsulting.com/product/danca-do-robalinho-7/ Wed, 30 Oct 2024 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/danca-do-robalinho-7/ ANGOLA KILLER JAZZ-FUNK

 

Milo MacMahon and Raúl Indipwo, arrived to Portugal in 1959 and, over next three decades, they developed an international career in the music industry.

 

In addition to Portuguese and the various Angolan languages, the group recorded songs such as "Sylvie", "La Kwela" and "Le Palmier" in French, among others, and also covered Latin American, Spanish-speaking, Brazilian and even North American repertoires, where on their various tours they came into contact with the struggle for the Civil Rights of the black population.

 

In 1969 Duo Ouro Negro went on tour to the United States. Their experience there was decisive for what we would come to know three years later. "Don't forget your blackground", Raul Indipwo would exclaim in 1972, the voice of 'Blackground', the Angolan band's landmark album. Awakened to the activism of Black Power, attentive to the jazz that was being created on American soil, combined with an interest in the independence movements of the African colonies, what was then the most international of Portuguese bands recorded an album in Lisbon that was a vibrant cultural statement through music.

 

In 1981, "Blackground" was revised with new arrangements, including the instrumental "Dança do Robalinho".
Jazz-Funk at its best and now reissued for the first time in 7" format.
You can't miss this jazz-funk gem made in Angola.

 

Licensed by Ana Vitória Pereira

 

Tracklist:
Side A: 1. Dança do Robalinho, pt.1
Side B: 2. Dança do Robalinho, pt.2

The post Dança do Robalinho (7″) appeared first on Guerssen Records.

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ANGOLA KILLER JAZZ-FUNK

Milo MacMahon and Raúl Indipwo, arrived to Portugal in 1959 and, over next three decades, they developed an international career in the music industry.

In addition to Portuguese and the various Angolan languages, the group recorded songs such as “Sylvie”, “La Kwela” and “Le Palmier” in French, among others, and also covered Latin American, Spanish-speaking, Brazilian and even North American repertoires, where on their various tours they came into contact with the struggle for the Civil Rights of the black population.

In 1969 Duo Ouro Negro went on tour to the United States. Their experience there was decisive for what we would come to know three years later. “Don’t forget your blackground”, Raul Indipwo would exclaim in 1972, the voice of ‘Blackground’, the Angolan band’s landmark album. Awakened to the activism of Black Power, attentive to the jazz that was being created on American soil, combined with an interest in the independence movements of the African colonies, what was then the most international of Portuguese bands recorded an album in Lisbon that was a vibrant cultural statement through music.

In 1981, “Blackground” was revised with new arrangements, including the instrumental “Dança do Robalinho”.
Jazz-Funk at its best and now reissued for the first time in 7″ format.
You can’t miss this jazz-funk gem made in Angola.

Licensed by Ana Vitória Pereira

Tracklist:
Side A: 1. Dança do Robalinho, pt.1
Side B: 2. Dança do Robalinho, pt.2

The post Dança do Robalinho (7″) appeared first on Guerssen Records.

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