SACRILEGE Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/sacrilege/ Guerssen Records Tue, 07 Jan 2025 17:11:47 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png SACRILEGE Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/sacrilege/ 32 32 Behind the realms of madness https://wpguerssen-test.odoo.rgbconsulting.com/product/behind-the-realms-of-madness/ Mon, 23 Aug 2021 22:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/behind-the-realms-of-madness/ Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham's Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda 'Tam' Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

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]]> Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) – the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

The post Behind the realms of madness appeared first on Guerssen Records.

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