STRAY Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/stray/ Guerssen Records Fri, 21 Mar 2025 10:41:19 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png STRAY Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/stray/ 32 32 Suicide https://wpguerssen-test.odoo.rgbconsulting.com/product/suicide/ Tue, 13 Apr 2021 22:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/suicide/ This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management, UK, remastered from an original master copy out of the vaults of BMG. The album was originally released in 1971 on Transatlantic Records. 'Suicide' was the band's second album and is another hard rocking, guitar driven effort with psychedelic influences. 'Son Of The Father' (5:46) begins the album as a slow martial lament, with a ghostly distant wind of very quiet drum washes and acoustic strumming, before kicking into a jubilant up-tempo fuzz riff verse/chorus part and going through numerous highly charged metal riff changes tempered by pathetic sounding strings on the mellotron. 'Nature's Way' (3:28) is a fuzzed heavy riff-rocker more reminiscent of the first Stray album, with balls the size of pumpkins and a complex middle section. 'Where Do Our Children Belong' (3:37) is one of the soft songs. It's all lazily paced acoustic guitar (or perhaps just quiet electric), nice harmonies, and totally appropriate bass and drums, actually a pretty nice track. 'Jericho' (4:53) remedies that, with a timely arrival of kind of dramatic, hard charged ever-changing riff sequences with urgent lyrics, sliding beyond belief into a tumbling dervish of chiselling guitar as the walls of Jericho "tumble to the ground!" from the sheer power of loud music. This one's a contender for the best song on the album, the other being 'Suicide'. It could have been a hit single because it's damn catchy and brilliantly constructed. 'Run Mister Run' (3:53) rides a hard, funky bass riff and almost southern rock guitar, complete with stomping drums and cowbell. It sounds very much like Mountain meets the James Gang? 'Dearest Eloise' (2:27) is a love song, soft all the way through, with strings and much flowery balladry and muzak all round. Pretty nice. 'Do You Miss Me' (6:26) runs at a jumpy pace, almost with a late '60s American jazzy psych/pop/soul feel until the song switches into some heavy downer riffing before picking up speed again and galloping into a fast and hard boogie jam. 'Suicide' (7:37) closes the album as its heaviest moment, weighty, (cock)rock-hard demon riffing sounding, a true highlight to finish this terrific album! The album comes with a 4-sided album-sized insert, including band story, photos and lyrics. It's remastered and brilliant sounding. A must for all psychedelic hard rock aficionados!

The post Suicide appeared first on Guerssen Records.

]]> This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management, UK, remastered from an original master copy out of the vaults of BMG. The album was originally released in 1971 on Transatlantic Records. ‘Suicide’ was the band’s second album and is another hard rocking, guitar driven effort with psychedelic influences. ‘Son Of The Father’ (5:46) begins the album as a slow martial lament, with a ghostly distant wind of very quiet drum washes and acoustic strumming, before kicking into a jubilant up-tempo fuzz riff verse/chorus part and going through numerous highly charged metal riff changes tempered by pathetic sounding strings on the mellotron. ‘Nature’s Way’ (3:28) is a fuzzed heavy riff-rocker more reminiscent of the first Stray album, with balls the size of pumpkins and a complex middle section. ‘Where Do Our Children Belong’ (3:37) is one of the soft songs. It’s all lazily paced acoustic guitar (or perhaps just quiet electric), nice harmonies, and totally appropriate bass and drums, actually a pretty nice track. ‘Jericho’ (4:53) remedies that, with a timely arrival of kind of dramatic, hard charged ever-changing riff sequences with urgent lyrics, sliding beyond belief into a tumbling dervish of chiselling guitar as the walls of Jericho “tumble to the ground!” from the sheer power of loud music. This one’s a contender for the best song on the album, the other being ‘Suicide’. It could have been a hit single because it’s damn catchy and brilliantly constructed. ‘Run Mister Run’ (3:53) rides a hard, funky bass riff and almost southern rock guitar, complete with stomping drums and cowbell. It sounds very much like Mountain meets the James Gang? ‘Dearest Eloise’ (2:27) is a love song, soft all the way through, with strings and much flowery balladry and muzak all round. Pretty nice. ‘Do You Miss Me’ (6:26) runs at a jumpy pace, almost with a late ’60s American jazzy psych/pop/soul feel until the song switches into some heavy downer riffing before picking up speed again and galloping into a fast and hard boogie jam. ‘Suicide’ (7:37) closes the album as its heaviest moment, weighty, (cock)rock-hard demon riffing sounding, a true highlight to finish this terrific album! The album comes with a 4-sided album-sized insert, including band story, photos and lyrics. It’s remastered and brilliant sounding. A must for all psychedelic hard rock aficionados!

The post Suicide appeared first on Guerssen Records.

]]> Move It https://wpguerssen-test.odoo.rgbconsulting.com/product/move-it/ Wed, 15 Sep 2021 22:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/move-it/ GIMMIX DIE-CUT COVER
INCLUDES ONE BONUS TRACK
This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management, UK, remastered from an original master copy out of the vaults of BMG. Album was originally released in 1974 on Transatlantic Records.
The album opens with a drum solo called Tap (after all, this was 1974, and it was illegal for all prog and rock albums to be released without a drum solo). They then launch into great Move It, which was completely Strayed up and has plenty of that guitar and power they well were known for. It is a great rock song, led by a driving beat, straight forward hard rocking riffs, tasteful solo and vocal harmonies.
The rest of the album, whilst being classic Stray, has always been regarded by the band as a bit of a mish mash. Tracks like Bromham's rocking Hey Domino, their cover of Jimmie Helm's Customs Man or Gadd's slightly psychedelic and mellow Mystic Lady and Our Plea especially, moving the band into more melodic areas. Whilst one critic wrote "Move it marks a dramatic improvement over its predecessor. It has vastly superior song writing, on a mix of pop/psych and hard, classic rock with vocal harmonies and great guitar playing. Great recording quality, great production qualities".
Steve Gadd would leave the band following Move it. Unhappy with Transatlantic`s promotion Stray decided to leave the label and were signed by Dawn, PYE`s imprint for progressive rock. Album comes with 4-page insert with band story, photos etc... , remastered and brilliant sounding.

 

For all lovers of melodic, psychedelic hard rock!

The post Move It appeared first on Guerssen Records.

]]> GIMMIX DIE-CUT COVER
INCLUDES ONE BONUS TRACK
This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management, UK, remastered from an original master copy out of the vaults of BMG. Album was originally released in 1974 on Transatlantic Records.
The album opens with a drum solo called Tap (after all, this was 1974, and it was illegal for all prog and rock albums to be released without a drum solo). They then launch into great Move It, which was completely Strayed up and has plenty of that guitar and power they well were known for. It is a great rock song, led by a driving beat, straight forward hard rocking riffs, tasteful solo and vocal harmonies.
The rest of the album, whilst being classic Stray, has always been regarded by the band as a bit of a mish mash. Tracks like Bromham’s rocking Hey Domino, their cover of Jimmie Helm’s Customs Man or Gadd’s slightly psychedelic and mellow Mystic Lady and Our Plea especially, moving the band into more melodic areas. Whilst one critic wrote “Move it marks a dramatic improvement over its predecessor. It has vastly superior song writing, on a mix of pop/psych and hard, classic rock with vocal harmonies and great guitar playing. Great recording quality, great production qualities”.
Steve Gadd would leave the band following Move it. Unhappy with Transatlantic`s promotion Stray decided to leave the label and were signed by Dawn, PYE`s imprint for progressive rock. Album comes with 4-page insert with band story, photos etc… , remastered and brilliant sounding.

For all lovers of melodic, psychedelic hard rock!

The post Move It appeared first on Guerssen Records.

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