UMILIANI, Piero Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/umiliani-piero/ Guerssen Records Mon, 24 Mar 2025 16:11:57 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png UMILIANI, Piero Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/artist/umiliani-piero/ 32 32 L’Uomo Elettronico https://wpguerssen-test.odoo.rgbconsulting.com/product/luomo-elettronico/ Mon, 19 Sep 2022 22:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/luomo-elettronico/ Twenty years ago, what is probably still the best collection of music by Piero Umiliani, "Musicaelettronica", was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines toexperiment with.Not only did albums like "Musicaelettronica" inspire the very existence of Four Flies Records, but our new Umiliani release, L'Uomo Elettronico, follows on precisely from where "Musicaelettronica" left off. While Pandiani's selection provided an insight into the playful, lighter side of Umiliani's electronic music, our release explores its introspective, esoteric side.
Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro's archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond 'Mah Nà Mah Nà', the hugely popular song that made him eternally famous.
The idea behind the album is to view Umiliani's electronic output as the work of a scientist of some sort - a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space.
L'Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.

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]]> Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines toexperiment with.Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side.
Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous.
The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space.
L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.

The post L’Uomo Elettronico appeared first on Guerssen Records.

]]> Orgasmo https://wpguerssen-test.odoo.rgbconsulting.com/product/orgasmo/ Mon, 24 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/orgasmo/ Four Flies is thrilled to announce a reissue of Piero Umiliani's soundtrack to the 1969 giallo thriller "Orgasmo" (called "Paranoia" in English speaking countries), the first of three erotically charged films directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Carroll Baker. Back in 2020, we unveiled the first-ever release of this iconic soundtrack, whose master tapes were thought lost for decades. After some serious detective work in the composer's archives, our team managed to salvage and restore the original tapes, bringing Umiliani's score back to life for all to enjoy. Due to popular demand, this reissue, unlike the 2020 release, bears the film's original Italian title.
Recorded shortly after "Sweden: Heaven and Hell" in late 1968, Orgasmo is undoubtedly one of Umiliani's finest works. The score perfectly captures the stylish and sleazy vibe of Lenzi's film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and French beauty Colette Descombes). Umiliani was arguably in his golden period here, at the peak of his compositional powers - elements like the vocals performed by Alessandro Alessandroni and his wife Giulia, or the Hammond parts played by Antonello Vannucchi, seem to foreshadow the atmospheric depths of future works, such as the soundtrack for Mario Bava's Five Dolls for an August Moon (1970). At the same time, however, the score exudes a surprisingly cheerful vibe, thanks to its Brazilian influences and lively bossa-nova and samba-jazz rhythms. To top it all off, the sublime Lydia MacDonald lends her voice to the haunting "Fate Had Planned It So," which plays in the opening titles sequence and thus sets the stage for the film's enigmatic journey.
The LP comes in a lavish 650-gram single tip-on jacket adorned with new artwork. Available starting June 21, 2024.

The post Orgasmo appeared first on Guerssen Records.

]]> Four Flies is thrilled to announce a reissue of Piero Umiliani’s soundtrack to the 1969 giallo thriller “Orgasmo” (called “Paranoia” in English speaking countries), the first of three erotically charged films directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Carroll Baker. Back in 2020, we unveiled the first-ever release of this iconic soundtrack, whose master tapes were thought lost for decades. After some serious detective work in the composer’s archives, our team managed to salvage and restore the original tapes, bringing Umiliani’s score back to life for all to enjoy. Due to popular demand, this reissue, unlike the 2020 release, bears the film’s original Italian title.
Recorded shortly after “Sweden: Heaven and Hell” in late 1968, Orgasmo is undoubtedly one of Umiliani’s finest works. The score perfectly captures the stylish and sleazy vibe of Lenzi’s film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and French beauty Colette Descombes). Umiliani was arguably in his golden period here, at the peak of his compositional powers – elements like the vocals performed by Alessandro Alessandroni and his wife Giulia, or the Hammond parts played by Antonello Vannucchi, seem to foreshadow the atmospheric depths of future works, such as the soundtrack for Mario Bava’s Five Dolls for an August Moon (1970). At the same time, however, the score exudes a surprisingly cheerful vibe, thanks to its Brazilian influences and lively bossa-nova and samba-jazz rhythms. To top it all off, the sublime Lydia MacDonald lends her voice to the haunting “Fate Had Planned It So,” which plays in the opening titles sequence and thus sets the stage for the film’s enigmatic journey.
The LP comes in a lavish 650-gram single tip-on jacket adorned with new artwork. Available starting June 21, 2024.

The post Orgasmo appeared first on Guerssen Records.

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