{"version":"1.0","provider_name":"Guerssen records","provider_url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/","title":"VARIOUS ARTISTS - In Fractured Silence -  (LP) | Guerssen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"d7O90LcU9C\"><a href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/in-fractured-silence\/\">In Fractured Silence<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/in-fractured-silence\/embed\/#?secret=d7O90LcU9C\" width=\"600\" height=\"338\" title=\"\u00abIn Fractured Silence\u00bb \u2014 Guerssen records\" data-secret=\"d7O90LcU9C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/09\/45399.jpg","thumbnail_width":2000,"thumbnail_height":2000,"description":"Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last...... but not least Jean-Jacques Birg\u00e9 and Francis Gorg\u00e9. Stapleton admired their album D\u00e9fense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you'll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birg\u00e9 and Gorg\u00e9, who were then playing with Bernard Vitet in 'Un drame musical instantan\u00e9'.It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantan\u00e9, could be heard H\u00e9l\u00e8ne Sage (whom Birg\u00e9 introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.The curtain is raised and it is Un drame musical instantan\u00e9 who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it's a debacle, the Drame won, H\u00e9l\u00e8ne Sage can take over. Heading up a quintette including Gorg\u00e9 and Vitet, she creates a cushioned chamber music with strings and many silences.On the B side, it's the other side of the channel. Sema's piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides."}