{"version":"1.0","provider_name":"Guerssen records","provider_url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/","title":"McCANN, Les - Layers (Red Smoke) -  (LP) | Guerssen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"PjfGGXEar9\"><a href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/layers-red-smoke\/\">Layers (Red Smoke)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/layers-red-smoke\/embed\/#?secret=PjfGGXEar9\" width=\"600\" height=\"338\" title=\"\u00abLayers (Red Smoke)\u00bb \u2014 Guerssen records\" data-secret=\"PjfGGXEar9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2025\/01\/49732.jpg","thumbnail_width":412,"thumbnail_height":412,"description":"Starting in the late 60s, jazz music started to take an interesting, and very soulful turn. Influenced by the funk of the day - from James Brown to Sly & The Family Stone - the art form, generally not considered a funky musical genre, started to stretch out and fit into the times. It was a fertile era, and to reciprocate, funk, soul and groovy rock fans started to discover accomplished, open-minded jazz artists like Les McCann, whose tunes made sense to their ears, even if bebop hadn't grabbed them.This incredible album - long a favorite of forward-thinking hip-hop producers and DJs - washes over listeners from the first chords of the incredible album opener, \"Sometimes I Cry,\" led by McCann's arrayof analog synthesizers and backed by an excellent rhythm section (Donald Dean on drums; Ralph McDonald on percussion and Jimmy Rowser on bass).Truth be told, highlights are hard to pick out, but fans never go long without returning to the fuzzed-out funk of \"The Harlem Buck Strut Dance,\" \"Let's Play (Til Mom Calls)\" and \"It Never Stopped In My Hometown.\" These keyboard-drenched grooves sat alongside record stacks brimming with Stevie Wonder, Funkadelic, Marvin Gaye's 70s soul and, of course, Miles Davis' space funk experiments of the era (like Bitches Brew)."}