{"id":209181,"date":"2021-10-07T00:00:00","date_gmt":"2021-10-06T22:00:00","guid":{"rendered":"http:\/\/guerssen.hl1097.dinaserver.com\/product\/sonic-waters-underwater-music-1979-1987-cd\/"},"modified":"2024-02-20T17:34:24","modified_gmt":"2024-02-20T16:34:24","slug":"sonic-waters-underwater-music-1979-1987-cd","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/","title":{"rendered":"Sonic Waters, Underwater Music 1979-1987 (CD)"},"content":{"rendered":"<p>CD Digipack + folleto de 12p <\/p>\n<p> Un trabajo que literalmente sumerge al oyente en una sustancia ac\u00fastica. El sonido se vuelve casi como materia, como gelatina. Pronto, est\u00e1s nadando en el sonido, perdi\u00e9ndote dentro de \u00e9l. <\/p>\n<p> Con el proyecto Sonic Waters iniciado en 1978, mi objetivo era situar el campo de la m\u00fasica electr\u00f3nica dentro de una experiencia liberadora y futurista, fuera de las salas de conciertos y en sinton\u00eda con el desarrollo de nuevos instrumentos, en particular el sintetizador digital Synclavier, cuyo primer modelo adquir\u00ed en 1977. Como espacio de conciertos, el Oc\u00e9ano Pac\u00edfico me pareci\u00f3 el medio experimental ideal tanto por razones ac\u00fasticas como culturales. Luego desarroll\u00e9 los elementos est\u00e9ticos y t\u00e9cnicos que contribuir\u00edan a la concepci\u00f3n de la m\u00fasica subacu\u00e1tica.<br \/>Seguir\u00edan numerosas actuaciones a lo largo de cuatro d\u00e9cadas, en sitios naturales o en grandes piscinas p\u00fablicas como las de S\u00eddney, Par\u00eds o Venecia durante la Bienal de 2006.<br \/>A mediados de los setenta Redolfi llev\u00f3 a cabo su investigaci\u00f3n electroac\u00fastica en los Estados Unidos, con los principales centros de m\u00fasica electr\u00f3nica como el Instituto de las Artes de California y principalmente la Universidad de California en San Diego. Como residente invitado de sus estudios, Michel Redolfi inaugur\u00f3 los conciertos de m\u00fasica submarina, con el ciclo &#8216;Sonic Waters&#8217; interpretado en el Oc\u00e9ano Pac\u00edfico. Desde entonces, las creaciones subacu\u00e1ticas de Michel Redolfi han sido programadas regularmente por los principales festivales internacionales, con instalaciones multimedia realizadas en reservas marinas ecol\u00f3gicas o en piscinas hist\u00f3ricas de ciudades. Entre ellos, el Festival de Sydney, la &#8216;Nuit Blanche&#8217; de Par\u00eds, Ars Electronica en Linz, la Bienal de Venecia de 2006 (nominada Le\u00f3n de Oro) y \u00faltimamente el festival Ars Musica de 2018 en Bruselas. Este disco presenta diferentes variaciones de Sonic Waters de 1980 a 1987, alternando mezclas de estudio con sus regrabaciones en las profundidades del Pac\u00edfico.<br \/>Sub Rosa, INA-GRM y Radio France editan actualmente los CD y LP de Michel Redolfi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CD Digipack + folleto de 12p <\/p>\n<p>\u00a0<\/p>\n<p> Un trabajo que literalmente sumerge al oyente en una sustancia ac\u00fastica. El sonido se vuelve casi como materia, como<a class=\"read\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/\"> (...)<\/a>","protected":false},"featured_media":230965,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23266,23260],"product_tag":[],"class_list":{"0":"post-209181","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-electronic-es","7":"product_cat-avant-garde-experime-es","8":"pa_artist-redolfi-michel","9":"pa_format-cd-2-es","10":"pa_gender-electronic-avant-garde-experime","11":"pa_label-sub-rosa","12":"pa_location-europe-es","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>REDOLFI, Michel - Sonic Waters, Underwater Music 1979-1987 (CD) -  (CD) | Guerssen<\/title>\n<meta name=\"description\" content=\"CD Digipack + 12p booklet #nl# A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you&#039;re swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I&#039;ve divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series &#039;Sonic Waters&#039; performed in the Pacific Ocean. Michel Redolfi&#039;s underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris &#039;Nuit Blanche&#039;, Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific.Michel Redolfi CD&#039;s and LP&#039;s are currently published by Sub Rosa, INA-GRM and Radio France.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REDOLFI, Michel - Sonic Waters, Underwater Music 1979-1987 (CD) -  (CD) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"CD Digipack + 12p booklet #nl# A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you&#039;re swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I&#039;ve divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series &#039;Sonic Waters&#039; performed in the Pacific Ocean. Michel Redolfi&#039;s underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris &#039;Nuit Blanche&#039;, Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific.Michel Redolfi CD&#039;s and LP&#039;s are currently published by Sub Rosa, INA-GRM and Radio France.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-20T16:34:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/04\/39404.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1173\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"REDOLFI, Michel - Sonic Waters, Underwater Music 1979-1987 (CD) -  (CD) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/\",\"url\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/\",\"name\":\"REDOLFI, Michel - Sonic Waters, Underwater Music 1979-1987 (CD) - (CD) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/04\/39404.jpg\",\"datePublished\":\"2021-10-06T22:00:00+00:00\",\"dateModified\":\"2024-02-20T16:34:24+00:00\",\"description\":\"CD Digipack + 12p booklet #nl# A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I've divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. Michel Redolfi's underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris 'Nuit Blanche', Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. 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The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I've divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. Michel Redolfi's underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris 'Nuit Blanche', Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific.Michel Redolfi CD's and LP's are currently published by Sub Rosa, INA-GRM and Radio France.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/","og_locale":"es_ES","og_type":"article","og_title":"REDOLFI, Michel - Sonic Waters, Underwater Music 1979-1987 (CD) -  (CD) | Guerssen","og_description":"CD Digipack + 12p booklet #nl# A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I've divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. 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The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. #nl# With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music.Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale.I've divided this album into 2 fields:Sonic Waters: Music for Fresh Water (1981)Sonic Waters: Music for Salt Water (1979-1987) #nl# During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. Michel Redolfi's underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris 'Nuit Blanche', Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific.Michel Redolfi CD's and LP's are currently published by Sub Rosa, INA-GRM and Radio France.","breadcrumb":{"@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/#primaryimage","url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/04\/39404.jpg","contentUrl":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/04\/39404.jpg","width":1173,"height":1200,"caption":"Michel - Sonic Waters"},{"@type":"BreadcrumbList","@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/sonic-waters-underwater-music-1979-1987-cd\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/"},{"@type":"ListItem","position":2,"name":"Shop","item":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/shop\/"},{"@type":"ListItem","position":3,"name":"Sonic Waters, Underwater Music 1979-1987 (CD)"}]},{"@type":"WebSite","@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#website","url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/","name":"Guerssen records","description":"psychedelia - progressive - folk - garage ","publisher":{"@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#organization","name":"Guerssen records","url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2022\/04\/Logo_Guerssen_trans_100.png","contentUrl":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2022\/04\/Logo_Guerssen_trans_100.png","width":122,"height":100,"caption":"Guerssen records"},"image":{"@id":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/product\/209181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/media\/230965"}],"wp:attachment":[{"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/media?parent=209181"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/product_brand?post=209181"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/product_cat?post=209181"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/wp-json\/wp\/v2\/product_tag?post=209181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}