{"id":221582,"date":"2025-02-25T00:00:00","date_gmt":"2025-02-24T23:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/afternoon-in-paris\/"},"modified":"2025-04-22T15:52:34","modified_gmt":"2025-04-22T13:52:34","slug":"afternoon-in-paris","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/","title":{"rendered":"Afternoon In Paris"},"content":{"rendered":"<p>Fue en Par\u00eds donde John Lewis codirigi\u00f3 esta cita de 1956 con Sacha Distel, un guitarrista franc\u00e9s que nunca lleg\u00f3 a ser muy conocido en los EE. UU. pero que inspiraba mucho respeto en los c\u00edrculos de jazz franceses. Ni Wilen ni el bajista Pierre Michelot eran grandes nombres en los EE. UU., aunque ambos eran muy conocidos en los c\u00edrculos de jazz europeos. Con Lewis al piano, Distel a la guitarra, Wilen al tenor, Michelot o Percy Heath al bajo, y Kenny Clarke o Connie Kay a la bater\u00eda, el grupo de improvisadores en parte estadounidense y en parte franc\u00e9s ofrece un \u00e1lbum bop por encima del promedio. Un LP m\u00edtico y uno de los mejores grabados en Francia!!!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fue en Par\u00eds donde John Lewis codirigi\u00f3 esta cita de 1956 con Sacha Distel, un guitarrista franc\u00e9s que nunca lleg\u00f3 a ser muy conocido en los EE. UU. pero que inspiraba<a class=\"read\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/\"> (...)<\/a>","protected":false},"featured_media":223478,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23227],"product_tag":[],"class_list":{"0":"post-221582","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-jazz-es","7":"pa_artist-lewis-john-distel-sacha","8":"pa_format-lp-es","9":"pa_gender-jazz","10":"pa_label-sam-records","11":"pa_location-europe-es","12":"pa_other-filters-vinyl-only-es","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LEWIS, John &amp; DISTEL, Sacha - Afternoon In Paris -  (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on &#039;Afternoon in Paris&#039; -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from &quot;Willow Weep for Me,&quot; &quot;All The Things You Are,&quot; and &quot;I Cover the Waterfront&quot; to Milt Jackson&#039;s &quot;Bags&#039; Groove&quot; and Lewis&#039; title song. The big-toned Wilen was only 19 when &#039;Afternoon in Paris&#039; was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France!!!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LEWIS, John &amp; DISTEL, Sacha - Afternoon In Paris -  (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on &#039;Afternoon in Paris&#039; -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from &quot;Willow Weep for Me,&quot; &quot;All The Things You Are,&quot; and &quot;I Cover the Waterfront&quot; to Milt Jackson&#039;s &quot;Bags&#039; Groove&quot; and Lewis&#039; title song. The big-toned Wilen was only 19 when &#039;Afternoon in Paris&#039; was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France!!!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-22T13:52:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2022\/12\/42409.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"709\" \/>\n\t<meta property=\"og:image:height\" content=\"709\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"LEWIS, John &amp; DISTEL, Sacha - Afternoon In Paris -  (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/\",\"url\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/\",\"name\":\"LEWIS, John & DISTEL, Sacha - Afternoon In Paris - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afternoon-in-paris\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2022\/12\/42409.jpg\",\"datePublished\":\"2025-02-24T23:00:00+00:00\",\"dateModified\":\"2025-04-22T13:52:34+00:00\",\"description\":\"It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on 'Afternoon in Paris' -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from \\\"Willow Weep for Me,\\\" \\\"All The Things You Are,\\\" and \\\"I Cover the Waterfront\\\" to Milt Jackson's \\\"Bags' Groove\\\" and Lewis' title song. The big-toned Wilen was only 19 when 'Afternoon in Paris' was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. 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