{"id":225245,"date":"2023-02-27T00:00:00","date_gmt":"2023-02-26T23:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/courts-or-wars\/"},"modified":"2024-02-21T15:42:01","modified_gmt":"2024-02-21T14:42:01","slug":"courts-or-wars","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/","title":{"rendered":"Courts Or Wars"},"content":{"rendered":"

Adrian Borland y Graham Bailey pueden ser m\u00e1s conocidos como miembros del legendario grupo post-punk The Sound, pero los dos eran amigos de la infancia y hab\u00edan estado tocando juntos incluso antes en The Outsiders, y continuaron su profunda relaci\u00f3n musical como d\u00fao, creando estas intensas canciones. Combinando sus primeras grabaciones, incluido el EP Flesh As Property de 1979 y el EP State Of Emergency de 1980, Courts Or Wars toma su t\u00edtulo de la primera canci\u00f3n que sirvi\u00f3 como presentaci\u00f3n de la pareja para los oyentes. Desde el principio est\u00e1s envuelto en lo que The Quietus describi\u00f3 como \u00abuna cosmovisi\u00f3n monocrom\u00e1tica m\u00f3rbidamente obsesionada con el efecto deshumanizador de la guerra, la aniquilaci\u00f3n de armas nucleares y la fractura y negaci\u00f3n del yo dentro de una sociedad cada vez m\u00e1s distorsionada y mediatizada tecnol\u00f3gicamente\u00bb. Donde The Sound encajaba perfectamente junto a Echo And The Bunnymen, Second Layer ten\u00eda mucho m\u00e1s en com\u00fan con la amenaza palpitante de Suicide.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adrian Borland y Graham Bailey pueden ser m\u00e1s conocidos como miembros del legendario grupo post-punk The Sound, pero los dos eran amigos de la infancia y hab\u00edan (...)<\/a>","protected":false},"featured_media":225325,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23235],"product_tag":[],"class_list":{"0":"post-225245","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-post-punk-es","7":"pa_artist-second-layer","8":"pa_format-lp-es","9":"pa_gender-post-punk","10":"pa_label-14570","11":"pa_location-uk-ireland-es","12":"pa_other-filters-vinyl-only-es","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"\nSECOND LAYER - Courts Or Wars - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"NOT EXPORTABLE TO USA & UK #nl# Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Combining their early recordings, including the 1979 Flesh As Property EP and 1980 State Of Emergency EP, Courts Or Wars takes its title from the first song that served as the pair's introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, "a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly distorted and technologically mediated society." Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide. Borland's familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey's propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding in Bailey's own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy. Over forty years later, these recordings feel shockingly appropriate. In painting a bleak reality and frightening future, there is real desperate beauty here.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SECOND LAYER - Courts Or Wars - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"NOT EXPORTABLE TO USA & UK #nl# Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Combining their early recordings, including the 1979 Flesh As Property EP and 1980 State Of Emergency EP, Courts Or Wars takes its title from the first song that served as the pair's introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, "a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly distorted and technologically mediated society." Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide. Borland's familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey's propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding in Bailey's own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy. Over forty years later, these recordings feel shockingly appropriate. In painting a bleak reality and frightening future, there is real desperate beauty here.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-21T14:42:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/01\/42714.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"SECOND LAYER - Courts Or Wars - (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/\",\"url\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/\",\"name\":\"SECOND LAYER - Courts Or Wars - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/courts-or-wars\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/01\/42714.jpg\",\"datePublished\":\"2023-02-26T23:00:00+00:00\",\"dateModified\":\"2024-02-21T14:42:01+00:00\",\"description\":\"NOT EXPORTABLE TO USA & UK #nl# Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Combining their early recordings, including the 1979 Flesh As Property EP and 1980 State Of Emergency EP, Courts Or Wars takes its title from the first song that served as the pair's introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, \\\"a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly distorted and technologically mediated society.\\\" Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide. Borland's familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey's propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding in Bailey's own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy. Over forty years later, these recordings feel shockingly appropriate. 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