{"id":237702,"date":"2024-04-02T00:00:00","date_gmt":"2024-04-01T22:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/mutantes-bottle-green\/"},"modified":"2025-04-23T17:25:27","modified_gmt":"2025-04-23T15:25:27","slug":"mutantes-bottle-green","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/","title":{"rendered":"Mutantes (Bottle green)"},"content":{"rendered":"

Mutantes mostr\u00f3 pocos signos de agotamiento musical despu\u00e9s de entregar uno de los LP m\u00e1s extra\u00f1os lanzados en los a\u00f1os 60. Al igual que su antecesor, Mutantes se basa en una atm\u00f3sfera de experimentaci\u00f3n y continuas colisiones musicales, caminando en una delgada l\u00ednea entre la innovaci\u00f3n y los ejercicios de g\u00e9nero sin sentido. La pista principal (\u00abDom Quixote\u00bb) tiene el mismo enfoque en el corte y pegado estil\u00edstico que la primera pista de su LP debut (\u00abPanis et Circenses\u00bb). Entre los contempor\u00e1neos musicales de la banda, Mutantes suena similar solo a canciones como la suite en miniatura de The Who \u00abA Quick One While He’s Away\u00bb, aunque hecha en tres minutos en lugar de nueve, y mucho m\u00e1s confusa dada la barrera del idioma. Los aspectos m\u00e1s destacados del \u00e1lbum (\u00abNao Va Se Perder por Ai\u00bb) y (\u00abDois Mil e Um\u00bb) vienen con lo que suena como una versi\u00f3n t\u00edpicamente retorcida de la m\u00fasica de ra\u00edces (tanto brasile\u00f1a como estadounidense), completa con banjo, acorde\u00f3n y voces vibrantes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mutantes mostr\u00f3 pocos signos de agotamiento musical despu\u00e9s de entregar uno de los LP m\u00e1s extra\u00f1os lanzados en los a\u00f1os 60. Al igual que su antecesor, Mutantes (...)<\/a>","protected":false},"featured_media":239956,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[21639,23231],"product_tag":[29140],"class_list":{"0":"post-237702","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-psychedelic60s-70s-es","7":"product_cat-latin-brazilian-es","8":"product_tag-color-vinyl-es","9":"pa_artist-mutantes-os-es","10":"pa_format-lp-es","11":"pa_gender-latin-brazilian-psychedelic60s-70s","12":"pa_label-vinyl-lovers","13":"pa_location-south-america-caribbean-es","14":"pa_other-filters-vinyl-only-es","16":"first","17":"instock","18":"taxable","19":"shipping-taxable","20":"purchasable","21":"product-type-simple"},"acf":[],"yoast_head":"\nMUTANTES, Os - Mutantes (Bottle green) - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUTANTES, Os - Mutantes (Bottle green) - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-23T15:25:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/08\/44812.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"482\" \/>\n\t<meta property=\"og:image:height\" content=\"480\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"MUTANTES, Os - Mutantes (Bottle green) - (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/\",\"url\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/\",\"name\":\"MUTANTES, Os - Mutantes (Bottle green) - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/mutantes-bottle-green\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/wp-content\/uploads\/2023\/08\/44812.jpg\",\"datePublished\":\"2024-04-01T22:00:00+00:00\",\"dateModified\":\"2025-04-23T15:25:27+00:00\",\"description\":\"One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track (\\\"Dom Quixote\\\") has the same focus on stylistic cut-and-paste as their debut LP's first track (\\\"Panis et Circenses\\\"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite \\\"A Quick One While He's Away\\\" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights (\\\"Nao Va Se Perder por Ai\\\") and (\\\"Dois Mil e Um\\\") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including \\\"Magica\\\" and a slap-happy stomp called \\\"Rita Lee,\\\" there's a palpable sense that the experimentation here isn't serving much more than its own ends. 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