{"id":250233,"date":"2024-02-15T00:00:00","date_gmt":"2024-02-14T23:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/avant-garde-clear-acid-green\/"},"modified":"2025-03-24T17:32:21","modified_gmt":"2025-03-24T16:32:21","slug":"avant-garde-clear-acid-green","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/avant-garde-clear-acid-green\/","title":{"rendered":"Avant Garde (Clear Acid Green)"},"content":{"rendered":"

Los estudios con Goffredo Petrassi y la asociaci\u00f3n con el Gruppo di Improvvisazione Nuova Consonanza permitieron que la vanguardia desempe\u00f1ara un papel importante en la carrera de Ennio Morricone, que escribi\u00f3 muchas piezas contempor\u00e1neas para s\u00ed mismo, pero luego el autor compuso bandas sonoras en las que la disonancia desempe\u00f1aba un papel importante.
Para la edici\u00f3n italiana de la pel\u00edcula SPACE: 1999 (1975), la serie de televisi\u00f3n brit\u00e1nica de culto, compuso un Jazz muy neur\u00f3tico con instrumentos apagados. Tambi\u00e9n para la pel\u00edcula de ciencia ficci\u00f3n EL HUMANOID (1979), Ennio Morricone cre\u00f3 alucinantes partituras de cuerdas mezcladas con efectos electr\u00f3nicos. Para SACCO E VANZETTI (1971) una partitura electr\u00f3nica de Walter Bianchi evoca todo el drama de la inmerecida sentencia de muerte de los dos protagonistas.
M\u00fasica experimental de gran impacto en el cine y fuera de la pantalla para famosos thrillers como THE DEATH DEALER (1974), SHORT NIGHT OF GLASS DOLLS (1971). La m\u00fasica de vanguardia siempre ha estado presente en pel\u00edculas de Elio Petri musicalizadas por Morricone como PROPERTY IS NO LONGER A THEFT (1973). M\u00fasica de vanguardia en el cine negro de VIOLENT CITY (1970) y A PURE FORMALITY (1994) y en pel\u00edculas de autor como GARDEN OF DELIGHTS (1967) y SARAH’S LAST MAN (1972).<\/p>\n","protected":false},"excerpt":{"rendered":"

Los estudios con Goffredo Petrassi y la asociaci\u00f3n con el Gruppo di Improvvisazione Nuova Consonanza permitieron que la vanguardia desempe\u00f1ara un papel importante (...)<\/a>","protected":false},"featured_media":250187,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[21641],"product_tag":[29140],"class_list":{"0":"post-250233","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-soundtracks-es","7":"product_tag-color-vinyl-es","8":"pa_artist-morricone-ennio-es","9":"pa_format-lp-es","10":"pa_gender-soundtracks","11":"pa_label-btf","12":"pa_location-europe-es","13":"pa_other-filters-vinyl-only-es","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"acf":[],"yoast_head":"\nMORRICONE, Ennio - Avant Garde (Clear Acid Green) - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"The studies with Goffredo Petrassi and the association with Gruppo di Improvvisazione Nuova Consonanza let the Avant-garde playing an important role in the career of Ennio Morricone, who wrote many contemporary pieces for himself, but then the author composed soundtracks where dissonance played a major role.For the Italian edition of the film SPACE: 1999 (1975), the cult British TV series, he composed a very neurotic Jazz with muted horns. Also for the science-fiction film THE HUMANOID (1979) Ennio Morricone created hallucinating strings scores mixed with electronic effects. For SACCO E VANZETTI (1971) an electronic score by Walter Bianchi evokes all the drama of the undeserved death sentence of the two protagonists.Experimental music of great impact in the film and off the screen for famous thrillers such as THE DEATH DEALER (1974), SHORT NIGHT OF GLASS DOLLS (1971). Avant-garde music has always been present in Elio Petri's films set to music by Morricone such as PROPERTY IS NO LONGER A THEFT (1973). Avant-garde music in the noir cinema of VIOLENT CITY (1970) and A PURE FORMALITY (1994) and in auteur films such as GARDEN OF DELIGHTS (1967) and SARAH'S LAST MAN (1972).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/avant-garde-clear-acid-green\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MORRICONE, Ennio - Avant Garde (Clear Acid Green) - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"The studies with Goffredo Petrassi and the association with Gruppo di Improvvisazione Nuova Consonanza let the Avant-garde playing an important role in the career of Ennio Morricone, who wrote many contemporary pieces for himself, but then the author composed soundtracks where dissonance played a major role.For the Italian edition of the film SPACE: 1999 (1975), the cult British TV series, he composed a very neurotic Jazz with muted horns. Also for the science-fiction film THE HUMANOID (1979) Ennio Morricone created hallucinating strings scores mixed with electronic effects. For SACCO E VANZETTI (1971) an electronic score by Walter Bianchi evokes all the drama of the undeserved death sentence of the two protagonists.Experimental music of great impact in the film and off the screen for famous thrillers such as THE DEATH DEALER (1974), SHORT NIGHT OF GLASS DOLLS (1971). Avant-garde music has always been present in Elio Petri's films set to music by Morricone such as PROPERTY IS NO LONGER A THEFT (1973). 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