{"id":273484,"date":"2024-09-03T00:00:00","date_gmt":"2024-09-02T22:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/afro-cuban-percussion\/"},"modified":"2025-01-30T17:03:22","modified_gmt":"2025-01-30T16:03:22","slug":"afro-cuban-percussion","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/afro-cuban-percussion\/","title":{"rendered":"Afro Cuban Percussion"},"content":{"rendered":"

Timbalero y vibrafonista Ernesto Antonio \u00abTito\u00bb Puente (1923-2000) es conocido por sus \u00e1lbumes latinos, sus intrincadas pero accesibles y luchadoras secuencias de percusi\u00f3n y la introducci\u00f3n del subg\u00e9nero Mambo a los o\u00eddos norteamericanos. Sin embargo, s\u00f3lo hay un \u00e1lbum en el que realmente se concentra en el lado de la percusi\u00f3n latinizada, y puede que sea su trabajo m\u00e1s experimental o reducido y su mejor ex\u00f3tico al mismo tiempo. Esta grabaci\u00f3n de 1957 -originalmente con el nombre de Top Percussion- reuni\u00f3 a Tito, Mongo Santamar\u00eda, Willie Bobo, Aguabella y Julito Collazo en la percusi\u00f3n con vocalistas que inclu\u00edan a Mercedita Valdez, en siete maravillosos cortes de piel afrocubana tradicional y (entonces) contempor\u00e1nea. Luego, como regalo inesperado, hay una suite de jazz latino de siete minutos con el considerable arreglista de jazz de Puente y una poderosa banda con Doc Severinson en la trompeta principal.<\/p>\n","protected":false},"excerpt":{"rendered":"

Timbalero y vibrafonista Ernesto Antonio \u00abTito\u00bb Puente (1923-2000) es conocido por sus \u00e1lbumes latinos, sus intrincadas pero accesibles y luchadoras secuencias (...)<\/a>","protected":false},"featured_media":273464,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23231],"product_tag":[],"class_list":{"0":"post-273484","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-latin-brazilian-es","7":"pa_artist-puente-tito","8":"pa_format-lp-es","9":"pa_gender-latin-brazilian","10":"pa_label-honeypie","11":"pa_location-north-america-es","12":"pa_other-filters-vinyl-only-es","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"\nPUENTE, Tito - Afro Cuban Percussion - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"Timbalero and vibraphonist Ernesto Antonio "Tito" Puente (1923-2000) is known for his Latin albums, their convoluted but accessible and feisty percussion segues and the introduction of the Mambo subgenre to North American ears. There is, however, only one album where he truly concentrates on the Latinized percussion side of things, and it may be both his most experimental or reduced and his best exotic work at the same time. This 1957 recordings - originally by the name of Top Percussion - brought together Tito, Mongo Santamaria, Willie Bobo, Aguabella and Julito Collazo on percussion with vocalists that included Mercedita Valdez, in seven wonderful cuts of traditional and (then) contemporary Afro-Cuban skin-on-skin. 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There is, however, only one album where he truly concentrates on the Latinized percussion side of things, and it may be both his most experimental or reduced and his best exotic work at the same time. This 1957 recordings - originally by the name of Top Percussion - brought together Tito, Mongo Santamaria, Willie Bobo, Aguabella and Julito Collazo on percussion with vocalists that included Mercedita Valdez, in seven wonderful cuts of traditional and (then) contemporary Afro-Cuban skin-on-skin. 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