{"id":283560,"date":"2025-04-22T00:00:00","date_gmt":"2025-04-21T22:00:00","guid":{"rendered":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/product\/tokyo-riddim-1976-1985\/"},"modified":"2025-04-22T15:59:39","modified_gmt":"2025-04-22T13:59:39","slug":"tokyo-riddim-1976-1985","status":"publish","type":"product","link":"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/tokyo-riddim-1976-1985\/","title":{"rendered":"Tokyo Riddim 1976-1985"},"content":{"rendered":"

El sonido suave y funky del reggae pop japon\u00e9s de m\u00e1xima audiencia en los a\u00f1os 1970 y 1980 encendi\u00f3 una obsesi\u00f3n por la m\u00fasica jamaicana que persiste hasta el d\u00eda de hoy en todos los rincones de la sociedad japonesa.
Pero la historia del reggae japon\u00e9s no es lineal, y la m\u00fasica recopilada en Tokyo Riddim 1976-1985 captura el momento en que el J-reggae entr\u00f3 en la conciencia p\u00fablica m\u00e1s amplia, fusionando el estilo pop urbano comercial con un ritmo contagioso, que ha generado comparaciones con el surgimiento de Lovers Rock en el Reino Unido.
En lugar de mirar directamente a Jamaica, muchos productores y artistas en Jap\u00f3n se inspiraron en los sonidos m\u00e1s accesibles de The Police y UB40, su dosis de reggae llega prefiltrada a trav\u00e9s de la lente del new wave pop del Reino Unido. Juguetones y maravillosos, los cortes profundos de estos \u00e1lbumes han sido pasados \u00bf\u00bfpor alto durante demasiado tiempo.
TRACKLIST
1. Miki Hirayama – Tsukikage No Nagisa 04:31 2. Miki Hirayama – Denshi Lenzi 03:55 3. Chu Kosaka – Music 05:19 4. Izumi \u00abMimi\u00bb Kobayashi – Lazy Love 04:24 5. Junko Yagami – Johannesburg 05:12 6. Miharu Koshi – Coffee Break 01:00 7. Marlene – Hittin’ Me Where It Hurts 01:00 8. Lily -Tenkini Naare 03:21<\/p>\n","protected":false},"excerpt":{"rendered":"

El sonido suave y funky del reggae pop japon\u00e9s de m\u00e1xima audiencia en los a\u00f1os 1970 y 1980 encendi\u00f3 una obsesi\u00f3n por la m\u00fasica jamaicana que persiste hasta el (...)<\/a>","protected":false},"featured_media":283510,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[21666,23234],"product_tag":[24189],"class_list":{"0":"post-283560","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-reggae-ska-dub-es","7":"product_cat-pop-rock-es","8":"product_tag-recien-llegadas","9":"pa_artist-various-artists-es","10":"pa_format-lp-es","11":"pa_gender-reggae-ska-dub-pop-rock","12":"pa_label-time-capsule","13":"pa_location-asia-es","14":"pa_other-filters-vinyl-only-es","16":"first","17":"instock","18":"taxable","19":"shipping-taxable","20":"purchasable","21":"product-type-simple"},"acf":[],"yoast_head":"\nVARIOUS ARTISTS - Tokyo Riddim 1976-1985 - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and '80s fired up an obsession with Jamaican music that persists to the present day.If there is a year zero for the introduction of reggae music to Japan, you'd be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.TRACKLIST1. Miki Hirayama - Tsukikage No Nagisa 04:31 2. Miki Hirayama - Denshi Lenzi 03:55 3. Chu Kosaka - Music 05:19 4. Izumi "Mimi" Kobayashi - Lazy Love 04:24 5. Junko Yagami - Johannesburg 05:12 6. Miharu Koshi - Coffee Break 01:00 7. Marlene - Hittin' Me Where It Hurts 01:00 8. Lily -Tenkini Naare 03:21\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpguerssen-test.odoo.rgbconsulting.com\/es\/producto\/tokyo-riddim-1976-1985\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VARIOUS ARTISTS - Tokyo Riddim 1976-1985 - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and '80s fired up an obsession with Jamaican music that persists to the present day.If there is a year zero for the introduction of reggae music to Japan, you'd be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. 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Playful and groovy, these album deep cuts have been overlooked for too long.TRACKLIST1. Miki Hirayama - Tsukikage No Nagisa 04:31 2. Miki Hirayama - Denshi Lenzi 03:55 3. Chu Kosaka - Music 05:19 4. Izumi \\\"Mimi\\\" Kobayashi - Lazy Love 04:24 5. Junko Yagami - Johannesburg 05:12 6. Miharu Koshi - Coffee Break 01:00 7. Marlene - Hittin' Me Where It Hurts 01:00 8. 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