LITTLE BUTTERFLY Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/label/little-butterfly/ Guerssen Records Wed, 23 Apr 2025 13:55:22 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png LITTLE BUTTERFLY Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/label/little-butterfly/ 32 32 Dias De Blues https://wpguerssen-test.odoo.rgbconsulting.com/product/dias-de-blues/ Tue, 13 Dec 2016 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/dias-de-blues/ 50th anniversary repress. Reissue of this MEGA-RARE brainblowing Uruguayan HARD PSYCHEDELIC BLUES ripper from 1972, full of HEAVY and WILD GUITAR-LEADS. Dias De Blues from Montevideo was formed in 1972 by Jorge Barral (bass), Daniel Bertolone (guitar) and Jorge Graf (drums). They developed a blues and heavy rock style that was characterized by the virtuosity of the musicians, a straight ahead rhythmic base and lots of energy and aggression. With all these elements the band created mind bending, extensive improvisations.

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]]> 50th anniversary repress. Reissue of this MEGA-RARE brainblowing Uruguayan HARD PSYCHEDELIC BLUES ripper from 1972, full of HEAVY and WILD GUITAR-LEADS. Dias De Blues from Montevideo was formed in 1972 by Jorge Barral (bass), Daniel Bertolone (guitar) and Jorge Graf (drums). They developed a blues and heavy rock style that was characterized by the virtuosity of the musicians, a straight ahead rhythmic base and lots of energy and aggression. With all these elements the band created mind bending, extensive improvisations.

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]]> Cuerpo y Alma (40th Anniversary Release Edition) https://wpguerssen-test.odoo.rgbconsulting.com/product/cuerpo-y-alma-40th-anniversary-release-edition/ Sun, 16 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/cuerpo-y-alma-40th-anniversary-release-edition/ Cuerpo y alma was his second record as a Soloist, Originally released by Sondor in 1984. Recorded between 1981 and 1984 with Hugo Fattoruso, Osvaldo Fattoruso, Pippo Spera, Urbano Moraes, Travesia and more. In this record Mateo also experienced with percussion trying to get closer to a Hindú Percussion. Eduardo Mateo is one of the most important influences in the history of the Uruguayan Music. Mixing Beat, Jazz, Bossa Nova and candombe. He was the one who created the "Candombe Beat" mostly known as "Fusión". He also was member and inspired the legendary band El Kinto. This record is a special edition of 40th anniversary release in 180 grs with Obi.
Mateo was a versatile and constantly evolving musician. If there is a record, however, that can be seen as the condensation of all his work, it is Cuerpo y Alma. Here are examples of his disconcerting simplicity, his most radical experimentalism, his mystical vein, of his explorations with Eastern, African and Caribbean music, their different approaches to the candombe, his tenderness and his frilly climates, his childish surreal humor, of abstractions and permutations of what would be his phase Time Machine. Mateo took care again of all the instruments in most of the grooves, and built in them these minimum-constructivist arrangements in the manner of El Kinto. But there are also collective grooves with a more spontaneous and improvisational approach, interacting with some old friends (Urbano, Pippo, the Fattoruso, Eduardo Marquez) and new colleagues with whom he interacted in the following years (Travesía, Walter "Nego" Haedo).
The album was started in the most difficult time of the life of Mateo, in 1981, with the musician practically reduced to begging, and being harassed by the dictatorial police, because of his drug consumption and his eccentric way of being. And it was concluded three years later, in one of his happiest times (stabilized in a relationship, without economic problems, again recognized in the montevidean cultural environment). Both poles, light and shadow, of tension and optimism, are reflected in this work. Mateo was also one of those rare musicians who were lucky enough to enter adulthood without losing youth.Cuerpo y Alma enters, easy, in the list of my favorite albums. It's the best album of one of the best musicians of Uruguay, at a time when the country had one of the most vigorous music on the planet.

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]]> Cuerpo y alma was his second record as a Soloist, Originally released by Sondor in 1984. Recorded between 1981 and 1984 with Hugo Fattoruso, Osvaldo Fattoruso, Pippo Spera, Urbano Moraes, Travesia and more. In this record Mateo also experienced with percussion trying to get closer to a Hindú Percussion. Eduardo Mateo is one of the most important influences in the history of the Uruguayan Music. Mixing Beat, Jazz, Bossa Nova and candombe. He was the one who created the “Candombe Beat” mostly known as “Fusión”. He also was member and inspired the legendary band El Kinto. This record is a special edition of 40th anniversary release in 180 grs with Obi.
Mateo was a versatile and constantly evolving musician. If there is a record, however, that can be seen as the condensation of all his work, it is Cuerpo y Alma. Here are examples of his disconcerting simplicity, his most radical experimentalism, his mystical vein, of his explorations with Eastern, African and Caribbean music, their different approaches to the candombe, his tenderness and his frilly climates, his childish surreal humor, of abstractions and permutations of what would be his phase Time Machine. Mateo took care again of all the instruments in most of the grooves, and built in them these minimum-constructivist arrangements in the manner of El Kinto. But there are also collective grooves with a more spontaneous and improvisational approach, interacting with some old friends (Urbano, Pippo, the Fattoruso, Eduardo Marquez) and new colleagues with whom he interacted in the following years (Travesía, Walter “Nego” Haedo).
The album was started in the most difficult time of the life of Mateo, in 1981, with the musician practically reduced to begging, and being harassed by the dictatorial police, because of his drug consumption and his eccentric way of being. And it was concluded three years later, in one of his happiest times (stabilized in a relationship, without economic problems, again recognized in the montevidean cultural environment). Both poles, light and shadow, of tension and optimism, are reflected in this work. Mateo was also one of those rare musicians who were lucky enough to enter adulthood without losing youth.Cuerpo y Alma enters, easy, in the list of my favorite albums. It’s the best album of one of the best musicians of Uruguay, at a time when the country had one of the most vigorous music on the planet.

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]]> Exhalo https://wpguerssen-test.odoo.rgbconsulting.com/product/exhalo/ Wed, 15 Jan 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/exhalo/ Halo, the latest studio album by Juana Molina, the experimental Argentine singer who captivates and seduces the world with her unique and unclassifiable songs, produced a unanimous acclaim from the public as well as specialized media. "Exhalo" closes this key stage in her career, where Juana shows the deep and powerful material that was left out of her last LP.
TRACKLIST
SIDE A A1. Astro de la luz segunda A2. Vagos lagos SIDE B B1. Invierno B2. Hope

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]]> Halo, the latest studio album by Juana Molina, the experimental Argentine singer who captivates and seduces the world with her unique and unclassifiable songs, produced a unanimous acclaim from the public as well as specialized media. “Exhalo” closes this key stage in her career, where Juana shows the deep and powerful material that was left out of her last LP.
TRACKLIST
SIDE A A1. Astro de la luz segunda A2. Vagos lagos SIDE B B1. Invierno B2. Hope

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