ROTORELIEF Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/label/rotorelief/ Guerssen Records Tue, 22 Apr 2025 13:29:31 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png ROTORELIEF Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/label/rotorelief/ 32 32 Creamcheese Düsseldorf https://wpguerssen-test.odoo.rgbconsulting.com/product/creamcheese-dusseldorf/ Mon, 24 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/creamcheese-dusseldorf/ The experimental project Pissoff was founded in the late 60s by multimedia-artist Eberhard Kranemann and some friends who studied together at the Düsseldorf Academy Of Fine Arts. The chaotic, loud and soundwise undisciplined band took part in various events at this location and other places. Due to the intense fluctuation of band-members the performances by Pissoff were characterized by continously changing participants and variations of the involved equipment: cello, violin, clarinet, tenor saxophone, flute, vocals, electric guitar, electric bass guitar, organ and drums. In 1968 Pissoff performed together with Joseph Beuys who was professor of sculpture at the Art Academy at that time. During this incomparable audiovisual interaction Joseph Beuys staged his Hndaktion: in concentrated manner he moved his hands in front of his head while listening and visually reacting to the very loud and abstract staccato-rhythms by Pissoff. The event was recorded by Eberhard Kranemann on a Telefunken mono-tape-recorder and remains the only existing audio-material by Pissoff until today. On that night Eberhard played cello, clarinet and tenor saxophone while the other members added sounds by electric guitar, electric bass and drums. Earliest musical experimentations that can be defined as the origins of the band Kraftwerk already started in 1967 by Eberhard Kranemann and Florian Schneider-Esleben. Sometimes Kranemann invited Florian Schneider-Esleben to join Pissoff.

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The experimental project Pissoff was founded in the late 60s by multimedia-artist Eberhard Kranemann and some friends who studied together at the Düsseldorf Academy Of Fine Arts. The chaotic, loud and soundwise undisciplined band took part in various events at this location and other places. Due to the intense fluctuation of band-members the performances by Pissoff were characterized by continously changing participants and variations of the involved equipment: cello, violin, clarinet, tenor saxophone, flute, vocals, electric guitar, electric bass guitar, organ and drums. In 1968 Pissoff performed together with Joseph Beuys who was professor of sculpture at the Art Academy at that time. During this incomparable audiovisual interaction Joseph Beuys staged his Hndaktion: in concentrated manner he moved his hands in front of his head while listening and visually reacting to the very loud and abstract staccato-rhythms by Pissoff. The event was recorded by Eberhard Kranemann on a Telefunken mono-tape-recorder and remains the only existing audio-material by Pissoff until today. On that night Eberhard played cello, clarinet and tenor saxophone while the other members added sounds by electric guitar, electric bass and drums. Earliest musical experimentations that can be defined as the origins of the band Kraftwerk already started in 1967 by Eberhard Kranemann and Florian Schneider-Esleben. Sometimes Kranemann invited Florian Schneider-Esleben to join Pissoff.

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Orgasm (Metallic Gatefold) https://wpguerssen-test.odoo.rgbconsulting.com/product/orgasm-metallic-gatefold/ Mon, 24 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/orgasm-metallic-gatefold/ NOT EXPORTABLE TO USA
Certainly one of the weirdest experimental & psychedelic album with noise and industrial sonorities, first time released by Esp Disk in 1969, an early cult label of free jazz and weird curiosities.
An absolute psychedelic tribal UFO and proto-industrial-noise in the story of music.
A pioneer touch of Throbbing Gristle, SPK, Whitehouse, Test Department mixed with something full stoned and tribal ... ahead of its time in the 60's !!!
This epic album is presented for the first time remastered with the same real rough sound and same feeling seeked at the time. And more volume added.

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NOT EXPORTABLE TO USA
Certainly one of the weirdest experimental & psychedelic album with noise and industrial sonorities, first time released by Esp Disk in 1969, an early cult label of free jazz and weird curiosities.
An absolute psychedelic tribal UFO and proto-industrial-noise in the story of music.
A pioneer touch of Throbbing Gristle, SPK, Whitehouse, Test Department mixed with something full stoned and tribal … ahead of its time in the 60’s !!!
This epic album is presented for the first time remastered with the same real rough sound and same feeling seeked at the time. And more volume added.

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Merzbild Schwet https://wpguerssen-test.odoo.rgbconsulting.com/product/merzbild-schwet/ Mon, 24 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/merzbild-schwet/ Merzbild Schwet, the second album opus released in 1980, is considered one of Nurse With Wound's major releases, and is part of the famous "Silver Edition" on Rotorelief Records, with a luxurious chrome-plated cover in double Gatefold sleeves, and sumptuous 200g vinyl discs issued in 300 copies on silver and black vinyl, and 700 copies on black vinyl.
The first track, Futurismo, begins with clanking rhythms, record skip clicks, and horn riffs before veering off into a crazed quilt of women singing, laughing, and talking in French. About halfway through, wild screeches of distortion disrupt the piece, and then more bizarre sounds take over before the piece ends with a collage of over modulated electronic hum and rambling piano. The other cut, Dada X, goes further into weirdness with lots of silences, creepy creaking noises, tones that build up and collapse, and scattered spoken word in French and English from Eve Libertine from the political punk band Crass, and the piece certainly lives up to the Dada of its title.

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Merzbild Schwet, the second album opus released in 1980, is considered one of Nurse With Wound’s major releases, and is part of the famous “Silver Edition” on Rotorelief Records, with a luxurious chrome-plated cover in double Gatefold sleeves, and sumptuous 200g vinyl discs issued in 300 copies on silver and black vinyl, and 700 copies on black vinyl.
The first track, Futurismo, begins with clanking rhythms, record skip clicks, and horn riffs before veering off into a crazed quilt of women singing, laughing, and talking in French. About halfway through, wild screeches of distortion disrupt the piece, and then more bizarre sounds take over before the piece ends with a collage of over modulated electronic hum and rambling piano. The other cut, Dada X, goes further into weirdness with lots of silences, creepy creaking noises, tones that build up and collapse, and scattered spoken word in French and English from Eve Libertine from the political punk band Crass, and the piece certainly lives up to the Dada of its title.

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Golem https://wpguerssen-test.odoo.rgbconsulting.com/product/golem/ Mon, 24 Feb 2025 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/golem/ The present album is a reissue of Golem, the legendary album from the cosmic and psychedelic genius that is Sand. Factory-noise, riveting hammers from the dockyards, agricultural machines, Starfighters low level flights, land manoeuvres by the British Forces in the mountainous countryside along the winding river were the culture medium for extended sound aesthetics. Sand was born and created the GOLEM.

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The present album is a reissue of Golem, the legendary album from the cosmic and psychedelic genius that is Sand. Factory-noise, riveting hammers from the dockyards, agricultural machines, Starfighters low level flights, land manoeuvres by the British Forces in the mountainous countryside along the winding river were the culture medium for extended sound aesthetics. Sand was born and created the GOLEM.

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