FOLK (80s-90s) Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/product-category/folk-80s-90s/ Guerssen Records Wed, 16 Apr 2025 14:50:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 https://wpguerssen-test.odoo.rgbconsulting.com/wp-content/uploads/2022/04/cropped-isotip-32x32.png FOLK (80s-90s) Archives - Guerssen Records https://wpguerssen-test.odoo.rgbconsulting.com/product-category/folk-80s-90s/ 32 32 Çoban Mamos (CD) https://wpguerssen-test.odoo.rgbconsulting.com/product/coban-mamos-cd/ Wed, 22 May 2013 22:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/coban-mamos-cd/ Turkish Bar or Bengi folk dancing requires approximately 100 people to do properly, and it helps if a lot of them are eating wedding cake. You put your arms around the shoulders of the people on either side of you, and then stomp around in a circle, facing in and kicking the air, until everybody is exhausted and happy. Far away from any folklore festivals, Derdiyoklar hand-built the soundtrack to this dancing as it was drunkenly executed by luckless German-Turkish immigrants in the fashion-insensitive 80s. And though the band had only two members, they decided electric saz, synthesized drums, cimbalom, and sheep sound effects were all needed to get the job done. Who could argue? This tinkly and psychoactive album, full of uniquely odd overdubs and buzzy, flanged-out guitar solos, can now be yours. First time ever reissue. Sound taken from mastertapes, insert with liner notes,180gr vinyl.

 

Tracklist:Çoban Mamos - Garip modalar - Korkirem balam - Baris Içinde - Sen degil bagim - Dom dom kursunu - Kötüler ermez menzile - Kanser - Kara üzüm habbesi - Elin memleketi bize yar olmaz - Gözlerin bakipta görmedgi - Derdigüzel aglama

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Turkish Bar or Bengi folk dancing requires approximately 100 people to do properly, and it helps if a lot of them are eating wedding cake. You put your arms around the shoulders of the people on either side of you, and then stomp around in a circle, facing in and kicking the air, until everybody is exhausted and happy. Far away from any folklore festivals, Derdiyoklar hand-built the soundtrack to this dancing as it was drunkenly executed by luckless German-Turkish immigrants in the fashion-insensitive 80s. And though the band had only two members, they decided electric saz, synthesized drums, cimbalom, and sheep sound effects were all needed to get the job done. Who could argue? This tinkly and psychoactive album, full of uniquely odd overdubs and buzzy, flanged-out guitar solos, can now be yours. First time ever reissue. Sound taken from mastertapes, insert with liner notes,180gr vinyl.

Tracklist:Çoban Mamos – Garip modalar – Korkirem balam – Baris Içinde – Sen degil bagim – Dom dom kursunu – Kötüler ermez menzile – Kanser – Kara üzüm habbesi – Elin memleketi bize yar olmaz – Gözlerin bakipta görmedgi – Derdigüzel aglama

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Çoban Mamos https://wpguerssen-test.odoo.rgbconsulting.com/product/coban-mamos/ Wed, 29 May 2013 22:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/coban-mamos/ Turkish Bar or Bengi folk dancing requires approximately 100 people to do properly, and it helps if a lot of them are eating wedding cake. You put your arms around the shoulders of the people on either side of you, and then stomp around in a circle, facing in and kicking the air, until everybody is exhausted and happy. Far away from any folklore festivals, Derdiyoklar hand-built the soundtrack to this dancing as it was drunkenly executed by luckless German-Turkish immigrants in the fashion-insensitive 80s. And though the band had only two members, they decided electric saz, synthesized drums, cimbalom, and sheep sound effects were all needed to get the job done. Who could argue? This tinkly and psychoactive album, full of uniquely odd overdubs and buzzy, flanged-out guitar solos, can now be yours. First time ever reissue. Sound taken from mastertapes, insert with liner notes,180gr vinyl.

 

Tracklist:Çoban Mamos - Garip modalar - Korkirem balam - Baris Içinde - Sen degil bagim - Dom dom kursunu - Kötüler ermez menzile - Kanser - Kara üzüm habbesi - Elin memleketi bize yar olmaz - Gözlerin bakipta görmedgi - Derdigüzel aglama

The post Çoban Mamos appeared first on Guerssen Records.

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Turkish Bar or Bengi folk dancing requires approximately 100 people to do properly, and it helps if a lot of them are eating wedding cake. You put your arms around the shoulders of the people on either side of you, and then stomp around in a circle, facing in and kicking the air, until everybody is exhausted and happy. Far away from any folklore festivals, Derdiyoklar hand-built the soundtrack to this dancing as it was drunkenly executed by luckless German-Turkish immigrants in the fashion-insensitive 80s. And though the band had only two members, they decided electric saz, synthesized drums, cimbalom, and sheep sound effects were all needed to get the job done. Who could argue? This tinkly and psychoactive album, full of uniquely odd overdubs and buzzy, flanged-out guitar solos, can now be yours. First time ever reissue. Sound taken from mastertapes, insert with liner notes,180gr vinyl.

Tracklist:Çoban Mamos – Garip modalar – Korkirem balam – Baris Içinde – Sen degil bagim – Dom dom kursunu – Kötüler ermez menzile – Kanser – Kara üzüm habbesi – Elin memleketi bize yar olmaz – Gözlerin bakipta görmedgi – Derdigüzel aglama

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Muckefuck https://wpguerssen-test.odoo.rgbconsulting.com/product/muckefuck/ Thu, 11 Jan 2024 23:00:00 +0000 https://wpguerssen-test.odoo.rgbconsulting.com/product/muckefuck/ Originally released in 1979, these recordings show the first solo efforts by formerly Aera leader, guitar player and composer Muck Groh. But in fact this album wasn't a solo album but could be described at the third Aera album of Aera's first decade line-up. All those great musicians like sax player Klaus Kreuzeder, drummer Wolfgang Teske, violinist Christoph Krieger and a lot of guest musicians like Alto Pappert (formerly Kraan) and Aeras second decade musicians like Matz Steinke on bass and Limbus on percussions contributed to this great album. The first 4 titles on the CD (formerly A-Side of the album) are in the tradition of the second album "Hand und Fuß". "Psychochinese im Stanzwerk" reminds to Amon Düül's Deutsch-Nepal. For the first time Muck Groh uses vocals in his compositions in a folky style and "Blinde Kuh" reminds a little bit to the early German new wave bands like Spliff or Nina Hagen Band. All in all this album shows many facets of Muck Grohs composer abilities and convinces with its clever arrangements. CD comes with comprehensive booklet with rare and unseen photos and there are 8 bonus tracks taken from a concert from 1981. Secret tip!

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Originally released in 1979, these recordings show the first solo efforts by formerly Aera leader, guitar player and composer Muck Groh. But in fact this album wasn’t a solo album but could be described at the third Aera album of Aera’s first decade line-up. All those great musicians like sax player Klaus Kreuzeder, drummer Wolfgang Teske, violinist Christoph Krieger and a lot of guest musicians like Alto Pappert (formerly Kraan) and Aeras second decade musicians like Matz Steinke on bass and Limbus on percussions contributed to this great album. The first 4 titles on the CD (formerly A-Side of the album) are in the tradition of the second album “Hand und Fuß”. “Psychochinese im Stanzwerk” reminds to Amon Düül’s Deutsch-Nepal. For the first time Muck Groh uses vocals in his compositions in a folky style and “Blinde Kuh” reminds a little bit to the early German new wave bands like Spliff or Nina Hagen Band. All in all this album shows many facets of Muck Grohs composer abilities and convinces with its clever arrangements. CD comes with comprehensive booklet with rare and unseen photos and there are 8 bonus tracks taken from a concert from 1981. Secret tip!

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Indo-Arabic Variations https://wpguerssen-test.odoo.rgbconsulting.com/product/indo-arabic-variations/ Wed, 18 May 2022 22:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/indo-arabic-variations/ First-time vinyl reissue of an essential Egyptian recording, a truly unique album in the Arabic music world for its fusion with Indian music. Baligh Hamdi shouldn't sound unfamiliar to anybody who's remotely interested in Arabic / Middle-Eastern music. File this one right next to the best recordings by Fairuz, Omar Khorshid or Elias Rahbani.

 

Unique fusion of the Indian and Egyptian music cultures devised by Baligh Hamdi, the most prominent of all modern composers in the Arab-speaking world. Hamdi, who penned dozens of hit compositions for Umm Kulthum, Abdel Halim Hafez, Warda and Sabah amongst others, also shaped the future of Arabic music in a way that's difficult to overestimate.

 

Directed by Hamdi, the renowned Indian sitar player Magid Khan joins the Egyptian musicians of Abdel Halim Hafez's orchestra in re-reading some of Hamdi's compositions from a new perspective - here sitar and tabla dance together with arghoul, ney and other Arabic instruments.

 

An east-meets-east masterpiece in which Hamdi once again pushed the boundaries of Arabic music in his tireless quest for a broader, more global reach.

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First-time vinyl reissue of an essential Egyptian recording, a truly unique album in the Arabic music world for its fusion with Indian music. Baligh Hamdi shouldn’t sound unfamiliar to anybody who’s remotely interested in Arabic / Middle-Eastern music. File this one right next to the best recordings by Fairuz, Omar Khorshid or Elias Rahbani.

Unique fusion of the Indian and Egyptian music cultures devised by Baligh Hamdi, the most prominent of all modern composers in the Arab-speaking world. Hamdi, who penned dozens of hit compositions for Umm Kulthum, Abdel Halim Hafez, Warda and Sabah amongst others, also shaped the future of Arabic music in a way that’s difficult to overestimate.

Directed by Hamdi, the renowned Indian sitar player Magid Khan joins the Egyptian musicians of Abdel Halim Hafez’s orchestra in re-reading some of Hamdi’s compositions from a new perspective – here sitar and tabla dance together with arghoul, ney and other Arabic instruments.

An east-meets-east masterpiece in which Hamdi once again pushed the boundaries of Arabic music in his tireless quest for a broader, more global reach.

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No Way To Go https://wpguerssen-test.odoo.rgbconsulting.com/product/no-way-to-go/ Tue, 16 Mar 2021 23:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/no-way-to-go/ Ben 'Tukumazan' Molatzi (1954 -2016), a self-taught singer and songwriter from Tsumeb, Namibia, wrote timeless, beautiful ballads drawing on the distinctive melodies and harmonies of his Damara and Sotho heritage.

 

His music recordings have been slumbering in oblivion in Namibian radio archives. His songs were consciously censored and damaged as its messages did not please the South African apartheid regime. The album contains field and studio recordings that were made in 1981 by SWABC. To this day, these recordings have never been commercially released. In his liner notes, Thorsten Schütte describes his ultimately successful search for Ben Molatzi and further meetings with the artist, who talks in detail about his life, his songs and the life circumstances in his country.

 

On these recordings he accompanies himself on the guitar. The lyrics are reprinted in the enclosed booklet in the original tribal language as well as in English translation.

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Ben ‘Tukumazan’ Molatzi (1954 -2016), a self-taught singer and songwriter from Tsumeb, Namibia, wrote timeless, beautiful ballads drawing on the distinctive melodies and harmonies of his Damara and Sotho heritage.

His music recordings have been slumbering in oblivion in Namibian radio archives. His songs were consciously censored and damaged as its messages did not please the South African apartheid regime. The album contains field and studio recordings that were made in 1981 by SWABC. To this day, these recordings have never been commercially released. In his liner notes, Thorsten Schütte describes his ultimately successful search for Ben Molatzi and further meetings with the artist, who talks in detail about his life, his songs and the life circumstances in his country.

On these recordings he accompanies himself on the guitar. The lyrics are reprinted in the enclosed booklet in the original tribal language as well as in English translation.

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Anadolu Döktürmeleri https://wpguerssen-test.odoo.rgbconsulting.com/product/anadolu-dokturmeleri/ Tue, 30 Mar 2021 22:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/anadolu-dokturmeleri/ This is a great album that originally recorded and released only in Germany, 1984.
Turkish psych-folk sounds combining with electric-saz, fat bass, synths and percussions.

 

Tracklist:
Side A:
Pancar Pezik Degilmi - Menekse Koymuslar Gülün Adini
Ankara Divan Ayagi - Su Siziyor - Topal Oyun Havasi
Su Gelir Güldür Güldür - Yandim Seker Oglan

 

Side B:
Misket - Badi Sabah
Yaylanin Çimenine - Irfani (Silifke)
Konyali - Anamur Yollari
Fidayda

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This is a great album that originally recorded and released only in Germany, 1984.
Turkish psych-folk sounds combining with electric-saz, fat bass, synths and percussions.

Tracklist:
Side A:
Pancar Pezik Degilmi – Menekse Koymuslar Gülün Adini
Ankara Divan Ayagi – Su Siziyor – Topal Oyun Havasi
Su Gelir Güldür Güldür – Yandim Seker Oglan

Side B:
Misket – Badi Sabah
Yaylanin Çimenine – Irfani (Silifke)
Konyali – Anamur Yollari
Fidayda

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Egun Argi Hartan https://wpguerssen-test.odoo.rgbconsulting.com/product/egun-argi-hartan/ Thu, 25 Nov 2021 23:00:00 +0000 http://guerssen.hl1097.dinaserver.com/product/egun-argi-hartan/ Amaia Zubiria, the incredible female vocal part of Basque folk-prog legends HAIZEA, has an extensive discography worth checking. Here's the first ever vinyl reissue of her 1985 folk album joined by guitarist Pascal Gaigne.

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Amaia Zubiria, the incredible female vocal part of Basque folk-prog legends HAIZEA, has an extensive discography worth checking. Here’s the first ever vinyl reissue of her 1985 folk album joined by guitarist Pascal Gaigne.

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